Today his music is disseminated with increasing amplitude, to be linked with other composers such as Valentin Silvestrov rebels, Sophia Gubaidulina, Arvo Part and Peteris Vasks, a new injustice is committed by two reductions to define machismo: he is presented as "student "and" lover "of Shostakovich, without putting in the center that his music is very different, which is virtually unclassifiable, and is a work of art, must be known and judged on its own merits a Galina Ivanovna said about his music: My works are not, indeed, religious in a sense liturgical, but are imbued with a religious spirit, and as I see are more apt to be interpreted in a church without expert introductions or analysis. In the concert hall, that is, in the vicinity "secular", the music sounds different from his work in the forties and fifties sometimes sound as if they had been written today. His idealism was specifically held for almost fanatical determination, this should be interpreted not only as a typically Russian trait, but also in the words of Dostoevsky-as a feature "Saint Petersburg". Ustvolskaya Shostakovich wrote: "It is you who is influenced by me, but rather I who am influenced by you." a We elrestoesruido.blogspot.com adds that she was a student and lover of Dmitri Shostakovich. Study with that of 1937-1947, and continued together until 1957.La love story is a chapter almost unknown and little evidence. Shostakovich defended when the apparatus for his experiments attempt to isolate youth composition. Galina lived with him, at his side, the height and number one symphony of the USSR and its subsequent isolation and persecution.